The drawings depict characters' faces and plants floating in real landscapes. The backgrounds often feature scenes from the disaster-stricken areas in Okayama, a hometown of the artist and he depcits the characters as ideal human figures. Characters are drawn only with their faces as the characters themselves do not need a body. The characters may appear human at first glance, but they represent more than just the human form as the "idealized figure." They also embody aspects such as "peaceful life" and serve as manifestations of nature, resembling elements like "mountains" and "sea." Since the beginning of the COVID-19 pandemic, dots are added to the artwork, covering the faces of the characters. They express the manifestation of phenomena such as the spread of fake information through social media, the war in Ukraine, and human actions that is further away from the "ideal form." 1989 Born in Okayama Prefecture. Graduated from the Faculty of Arts, Kurashiki University of Science and the Arts [ Selected exhibitions ] 2021 Hiromi Solo Exhibition (Hiyorizaka Art Research Centre / Ishinomaki). 2022 "Moku mori do" (GALERIE OVO gallery / Taiwan) 2022 "Nijigen-ha" (Daikanyama Hill Side Forum, N&A Art SITE / Tokyo) 2022 "Kawa no hotori / Machi" (LIGHT HOUSE GALLERY / Tokyo) 2023 Osaka Kansai International Art Festival: Nijigen-ha (Osaka Nakanoshima Library 3F/Osaka) 2023 Neo Japan: Pop Art Explored (Onfintive Art Foundation/Singapore)　 2023 Hiromi and Kim Sapi two-person exhibition 'Loding' (A/D Gallery/Tokyo)